It's a relatable problem: Rick and Morty fans want more Rick and Morty! Rick and Morty is so good that no amount of it will ever be enough. There's no easy solution to that problem--until now. Look no further than Solar Opposites, the new show by Roiland and Rick and Morty writer and producer Mike McMahan.

Streaming movies and other media through platforms like Zoom and Discord is easy and fun, and it provides a small modicum of normality in this abnormal era of social distancing. But there's one question that might be lingering in the back of your mind: Is streaming movies to friends and family this way legal?

There's plenty of decent science fiction to stream on TV during this trying time of self-isolation, whether you're interested in the near-future body-swapping of HBO's Westworld Season 3 or the slightly-less-near-future body-swapping of Netflix's Altered Carbon Season 2. But chances are you're missing out on the best sci-fi show to hit the airwaves (or, in this case, streaming world) in years: FX's Devs.

If you haven't seen The Void, get ready for a wild ride involving a murderous sex cult, teen pregnancy, gory body horror, John Carpenter-esque practical effects, and trippy imagery that will send your mind hurtling through the far reaches of eldritch space. In other words, it's good.

Bloodshot keeps a lot of things from the original Valiant comics the same, from the character's general backstory to his ability to heal any wound thanks to the nanites swimming around in his veins. But as fans have noted, there's one thing in the Bloodshot adaptation that's very different from the original books: Bloodshot's appearance.

Bloodshot is one of those weird early '90s comic book properties with a dedicated niche fanbase, but little mainstream name recognition. Nevertheless, when director Dave Wilson first took a look at the script, he thought Valiant Comics would balk at the changes he had in mind. Luckily for him, he was wrong.

Netflix's Altered Carbon is not always easy to follow. When you have multiple actors playing more than one character thanks to various characters taking over other characters' bodies, people who have been alive for millennia, and a central mystery involving ancient aliens and their futuristic technology, it can be a lot to take in.

Altered Carbon, which we called "a cyberpunk masterpiece" in our Season 1 review over two years ago, is back on Netflix for a long-awaited second season. And those who have already spun up the show for another go have likely noticed that the vibe is pretty different from Season 1. Gone are the trappings and tropes of a future-noir gumshoe mystery with a brooding protagonist and neon-soaked gutters; instead, Season 2 is a more straightforward action thriller.

Netflix's Locke and Key doesn't tread the exact same path as the comics--as we've already established, there are plenty of differences between the Netflix show and the original books. And that makes the final couple of episodes in Season 1 extra exciting for comics readers--even those who think they know what's going to happen likely wound up surprised by the end.

Writer Joe Hill and artist Gabriel Rodriguez's IDW series Locke & Key may have ended in 2013--at least the main story arc did. However, there is still more on the way. Aside from the previously revealed six-issue series "World War Key," the author of the comic has announced a new one-shot called "Pale Battalions."

Season 1 of Netflix's Locke and Key, the highly anticipated adaptation of Joe Hill and Gabriel Rodriguez's beloved horror comic, hasn't even hit Netflix yet--it arrives February 7. But although a second season hasn't yet been officially greenlit by the streaming service, executive producer Carlton Cuse is in the process of writing Locke and Key Season 2.

What do you get when you mix a frozen, post-apocalyptic world, a massive high-tech train that can never stop running, and the expertise of many talented artists, actors, and filmmakers? You've seen the Snowpiercer movie, and you've maybe even read the original graphic novel--but the TV show is still over the horizon, and we don't yet know what it will add to the series.

Filmmaker Richard Stanley, director of the H.P. Lovecraft adaptation Color Out Of Space, has announced that he's writing two follow-up films. Color Out Of Space is intended to be the first film in a trilogy of Lovecraft adaptations.

what happened to Geralt of Rivia (Henry Cavill), Yennefer (Anya Chalotra), Ciri (Freya Allan), and Jaskier (Joey Batey) in the end? We've seen all eight episodes of Netflix's The Witcher, so we can break it all down for you now--and attempt to explain some of the more confusing parts.

Netflix's The Witcher series faced some incredibly difficult challenges on its journey from the pages of Andrzej Sapkowski's original short stories and books to the small and large screens of 2019. Showrunner Lauren Schmidt Hissrich needed to attempt to please not just fans of the decades-old source material, but also players of the tremendously popular Witcher video games, who are devoted to a completely different set of Witcher stories that the show would not be addressing.

Spend any amount of time on the Watchmen subreddit or reading what people are saying about the show on Twitter, and you'll see a common criticism coming from disgruntled fans: that Watchmen is too political, or that it espouses the "wrong" politics. But in the final episode of HBO's official Watchmen podcast, which went up after the show's final episode aired, Lindelof says he believes the show's politics are true to the original comics.

When last we left the crew of the Rocinante and The Expanse's other characters--a full year and a half ago, in June 2018--humanity was united in wonder at the opening of the "ring gates" and the expansion of the accessible universe to include countless previously unknown, fully habitable planets. That's a giant leap for mankind, but in The Expanse Season 4, the characters we love will take just one small step: They'll explore a single new world on which much of the new season's story will hinge.

The producers of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) want to make one thing crystal clear: Birds of Prey is not related to Suicide Squad in any way, despite both movies featuring Margot Robbie as Harley Quinn.

The saga of The Witcher is not an easy one to adapt. The Witcher games (with which you're no doubt familiar) had it simpler--as sequels to the original novels, they simply built on the foundation that author Andrzej Sapkowski laid down years ago. To adapt the book series--a hodgepodgey web of short stories and novels--into hour-long TV episodes with a trio of protagonists and a cohesive narrative throughline is a significantly different story.

Disney held a press conference for Star Wars Episode IX: Rise of Skywalker recently in Los Angeles, and although the cast and filmmakers in attendance were mostly tight-lipped, J.J. Abrams did address his approach to the story following Rian Johnson's controversial The Last Jedi.

Move over, "Breaking Bad" — there's a new hero-turned-villain on television, and Heisenberg has nothing on the Mad Queen Daenerys Targaryen.

With just three episodes left in "Game of Thrones'" final season, it was inevitable that the show would finally start wrapping up its most central, overarching plot lines. But on Sunday, when Season 8 Episode 3, "The Long Night," aired, many viewers were surprised when the series' longest-running story ending with a single thrust of a dagger.

The night is dark and full of terrors, and so is the prospect of narrowing down the Top 100 characters on Game of Thrones. Few TV series in the past decade have had quite the cultural impact as HBO’s hit fantasy drama, and few characters have become as entrenched in pop culture as the Starks, the Lannisters and, of course, Daenerys Targaryen.

It’s official: Wheel of Time is finally being adapted. More than 27 years after the debut of the series’ first book, The Eye of the World, and four years after the final, A Memory of Light, Robert Jordan’s sprawling fantasy novels have a production studio and a showrunner. That’s not a lot to go on, but we’re already getting excited about Wheel of Time’s potential.

Throughout most of Jordan Peele’s Get Out, all the way up to its final act, you keep waiting for the metaphorical pointed white hoods to come out -- for the movie’s awkward social racism to transition to violent, overt racism. But while there is something sinister behind the Armitage family’s accepting facade, the party they throw when daughter Rose (Allison Williams) brings home her black boyfriend Chris (Daniel Kaluuya) is not a secret white power rally.

There’s a pivotal scene in the original John Wick where Keanu Reeves as the title character tells Michael Nyqvist’s Viggo Tarasov, a Russian crime leader against whose son Wick desires vengeance, that he’s “back.” Wick had retired, but due to no fault of his own has been dragged back into the criminal underworld.

It’s difficult to know what to think about Gary Faulkner, and Army of One is no help there. Nic Cage’s Faulkner is far too different from the real man.

Doug Liman, director of Edge of Tomorrow and The Bourne Identity -- not to mention the upcoming Dark Universe (DC’s Justice League Dark movie) and Edge of Tomorrow 2 -- embarked on his first foray into virtual reality with Invisible, an episodic drama that requires a VR headset like the Oculus Rift or HTC Vive to view.

I.T. is an average thriller mechanically coated in a veneer of shiny technology, like the newest phone on a factory line. That’s not to say it doesn’t work, but its take on the new world order led by Apple, Google and Facebook will definitely play better with people who remain skeptical of our always-connected world.

The best villains can terrify us, frustrate us, and challenge our ideas about right and wrong. Their evil plans and malevolent perspective can even lure the most noble heroes into the shadows trying to stop them. They can linger in our own hearts and minds long after the TV has been turned off or the book has been closed.

The long-awaited villian Negan finally claimed his first victims among The Walking Dead’s cast on Sunday night with the premiere episode of the show’s seventh season. Things could have gone a lot differently, though, as an unused leaked scene revealed.

Captain America: Civil War, the latest entry in the Marvel Cinematic Universe (MCU), is less predictable than the last one, the lightweight if fun Ant-Man, and makes a hell of a lot more sense than the last big one, the bloated The Avengers: Age of Ultron. But it took a tweet for me to realize what I really love about Civil War and what Marvel has managed to do over the last eight years: These films do character development better than any others in the superhero genre.

I first read A Game of Thrones five years ago. A girl I had a crush on gave it to me and told me she was obsessed with it. We’re still dating today. I loved the books more than I’d ever loved any fiction before. They had everything I wanted. When the show Game of Thrones premiered I thought it was basically the perfect adaptation, a thing I’m a stickler for. It did everything right. It all became weirdly important to me; I got two Game of Thrones tattoos, and I even made a good amount of money writing about the series. But things have changed, and I’m giving up. I refuse to watch Game of Thrones season 6. And it feels really, really good.

It’s tough being a fan of The Walking Dead. The show had me in season 1, before I’d even read the comic books. It lost me in season 2—the boring farm season—and won me again when the Governor got his revenge in season 4. I’ve been on board with the zombie-slaying and civilization-building since then, but I think The Walking Dead may have just lost me again.

I never liked superheroes that much. I’ve enjoyed most of the Marvel movies of the last several years (especially Guardians of the Galaxy, which is really more a space adventure than a superhero flick), but in a casual way: I pay my money, munch some popcorn and get swept up in the adventures of Captain America or Thor, and there’s already something else on my mind by the time I leave the theater. Jessica Jones, though, I’ll be thinking about for a long, long time.

You’re the Worst is especially poignant for viewers who live in or near LA, but I think it can be enjoyed by anyone who’s cynical enough that they’ve ever considered stealing still-wrapped gifts from a wedding out of spite. That’s one way, in the very first scene of its pilot episode, the FX-cum-FXX show initially drew me in: by showing that your world won’t implode if you embrace those shitty urges once in a while.

The opulent Beverly Hills mansion where Oculus VR, maker of the Oculus Rift virtual reality headset, showed off its latest project was an unusual location for a press junket. In the evening on the day I was there, Oculus hosted a more formal premiere event; even then, the grounds must have seemed decadent.

I was excited when I heard that Dan Simmons’ 1989 science fiction novel Hyperion is finally being adapted for television. But my excitement turned quickly to dread. The Hyperion adaptation I’ve imagined for years is finally happening, and it’s going to be awful. What else could I possibly expect from Syfy, the cable channel whose most recent claim to fame is Sharknado?

Five years of living high on the Westerosi hog is about to come crashing down around Game of Thrones’ most fervent fans. The show has caught up with the A Song of Ice and Fire books, and no one knows what’s going to happen next. Book readers have been living in the light of knowledge for five seasons, and now they’re all being slowly plunged into darkness. I’m one of them, and I’m still not sure how I feel about it.

Legion’s second episode, “Chapter 2,” presented one fantastic foil for our hero David Haller: Jeremie Harris’s character Ptonomy, who appeared in the premiere but wasn’t properly introduced until now.

If you’ve suffered through enough mediocre X-Men movies to feel a general fatigue for any live action incarnations of Professor X and his lovable gang — comics fan or not — Legion is capable of changing your mind.

In Westworld’s ninth episode, Ford tells Bernard that you can’t rely on humans. But it’s Westworld’s hosts who’ve proved the most unreliable as narrators throughout the season.

There were no big twists on Westworld this week — fitting, given the enormity of last week’s reveal that Bernard has been a host all along. Instead, “Trace Decay” focused on the hosts’ ongoing struggles with identity, consciousness and memory.

There you have it. With the reveal in Westworld episode 7, “Trompe L'Oeil," that Bernard is in fact a host, the show has answered one of the most popular fan theories out there with a resounding “yes.”

It was bound to happen eventually. Westworld went almost six full episodes without killing anyone off, which, in a post-Game of Thrones TV world, is more or less unheard of. But at the end of “The Adversary,” a rare episode with zero Dolores, William or Logan, the meddling Elsie may have bitten the bullet at the hands of an unknown attacker.

Welcome to Pariah, where the rules of Westworld go flying out the swinging saloon doors — even the most crucial doctrine, the “Samaritan reflex,” which dictates that hosts can’t truly harm guests. As Logan and William become embroiled in the narratives of the high-level outlaw town, they learn through hard knocks that they aren’t as invulnerable in Westworld as they thought.

The Man in Black has remained one of Westworld’s most mysterious characters. What’s his end goal? Is he just an agent of chaos, or a really dedicated player hunting the game’s final level? Or is there something more? Episode 4, “Dissonance Theory,” provided some pretty big hints.

The timelines in Westworld are often unclear. How long do guests stay in the park? How often are the hosts reset? How many times has Teddy been shot, or Dolores been assaulted, or Maeve recited her speech about the voice in her head? It’s never clear — by design, of course. That’s part of the show’s mystique.

Westworld's premiere established the rules of the game, the machinations of the designers and the loops of the hosts. Episode 2 introduced viewers to the guests’ perspective.

Another major character died tonight on Game of Thrones, but is "dead" really dead in the world of Westeros?

Game of Thrones season 5 hasn't been the show's strongest — one might argue it's been the worst by far — but at least Episode 7, "The Gift," had a couple of fun scenes.

Game of Thrones Season 5, Episode 6 may have been titled after the Martells' house words — "Unbowed, Unbent, Unbroken" — but it was Olenna "The Queen of Thorns" Tyrell who stole the show this time.

With a title like "Kill the Boy," Game of Thrones Season 5, Episode 5 must have had plenty of fans waiting eagerly to see which character would bite the dust this time. Luckily, the phrase wasn't meant to be taken quite so literally.

The fourth episode of Game of Thrones' fifth season had one common thread: otherwise intelligent people — including Dany — underestimating the threats surrounding them.

A Stark finally made it back to Winterfell in season 5 episode 3 of Game of Thrones, but no homecoming has ever been less sweet than Sansa's.

All of his life, the bastard Jon Snow wanted one thing: to be a true Stark like his brothers and father. And in the second episode of Game of Thrones' fifth season, King Stannis Baratheon offered to grant him that wish — and the lordship of Winterfell — in return for his loyalty in the coming wars.

Belle & Sebastian frontman Stuart Murdoch has been working to create God Help the Girl for the better part of a decade. The film feels like a culmination of his career in pop culture, the songs perfected, his aesthetic instantly identifiable. However, it’s not the hit he’s always wanted.

Sons of Anarchy‘s Nero Padilla isn’t the type of character you expect to stick around for long. When he was introduced in the fifth season of the hit FX drama, the pimp and ex-gangbanger seemed destined for a violent end. Getting with Gemma (Katey Sagal) in a world where Clay (Ron Perlman) was still alive wasn’t a wise move, after all. Now, at the end of Season 6, Clay’s gone and Nero has worked his way into SAMCRO’s heart.

The fifth season of Adult Swim’s Childrens Hospital ended last week with a bang – several, actually – as the military base in which the characters took up residence came under attack.

What happens when the war is over? That’s one question at the heart of Ender’s Game, whose eponymous protagonist remains “the hero” even as his actions veer toward villainy. The film erects some big dilemmas regarding culpability and preventative violence, but declines to offer up any real answers with the omission of a few integral plot points. The characters draw their own conclusions, and the audience is left to pick sides. Technically, Ender’s Game is exactly the right kind of adaptation.

Kevin Tancharoen is doing the impossible with the second season of Mortal Kombat: Legacy: He’s making both web series and video-game adaptations cool. And the all-digital series is not even what Tancharoen set out to do when he created the 2010 short Mortal Kombat: Rebirth.

The agents of the National Terrorism Strike Force: San Diego: Sports Utility Vehicle team are headed to Little Britain for the series’ half-hour “movie event,” titled “U-KO’ed.” But because there’s no such thing as Little Britain, the cast actually shot for a week in London.

On the surface, filmmaker Neill Blomkamp appears to have come a long way since District 9. For the 2009 sci-fi thriller, the South Africa native cast his best friend Sharlto Copley in the lead role and filmed on his home turf in Johannesburg. Four years later, his new movie Elysium stars Matt Damon and Jodie Foster and was filmed all over the world. But is it really so different?

“Key & Peele” fans know that Keegan-Michael Key and Jordan Peele’s genius knows no bounds, which is what made the task of compiling their 100 best sketches on their Comedy Central series so daunting. The show’s four seasons so far span dozens of hours and hundreds of bits, from full-length epics like “Flicker” to the understated moment when a man who knows he’s about to die decides to pour an abnormal amount of sugar into his coffee — because why not?

The truth is that “Outlander” is not just for the ladies. In fact, it’s more “Mad Men” than “Sex and the City” by a long shot. All you have to do is give it a chance and you’ll discover “Outlander” has plenty for everyone to enjoy.

“The Walking Dead” has done a great job establishing the walkers as a real and ever-present threat, even when viewers think that Rick and the other survivors have things under control. In “The Walking Dead” Season 5, the threat posed by the undead will only escalate further.

“The Walking Dead” is about to enter its fifth season, and the show has continually strayed further and further from the comic books on which it’s based. Here and there it has nods to the source material, and many of the characters are similar, but everyone involved agrees that the books and the show are on two very different trajectories. Nevertheless, there are characters and plots from the books that are guaranteed to make it into the show.

The cast of “The Walking Dead” was in a bit of a bind at the end of Season 4 when they found themselves locked inside a train car by a hostile group of survivors who, to top things off, are most likely cannibals.

“Person of Interest” took a major turn at the end of its third season, and when it returns for Season 4 in September it will be a very different show. The protagonists are now fugitives hiding in plain sight, and that will change the show’s tone significantly.

“True Blood’s” seventh and final season is airing now, and fans have a few episodes left before they need to say goodbye to the show. But the cast took advantage of their San Diego Comic-Con 2014 panel to bid adieu to fans and one another. The panel began with a farewell video in which the cast said goodbye and thanked their fans for sticking with them through seven seasons.

“The Walking Dead” Season 4 was filled with interesting character moments for much of the show’s cast, especially Emily Kinney (Beth Greene) and Norman Reedus (Daryl Dixon). They were forced together by circumstance after the group was ousted from their safe haven in the prison, and as their relationship evolved some fans began to hope for a romantic spark between the two.

The big reveal out of AMC’s panel for “The Walking Dead” at San Diego Comic-Con 2014 was a welcome one for fans: a new Season 5 trailer and a premiere date: Sunday, Oct. 12.

Mike Vogel‘s Dale “Barbie” Barbara has not had an easy time “Under The Dome” in Chester’s Mill, and halfway through the show’s Season 1 it seems his lies are finally beginning to unravel. When Zap2it spoke with Vogel at San Diego Comic-Con before the “Under The Dome” panel, the actor said that his character will soon be cornered by his own “cat-and-mouse game.”

If there’s one character on “Under The Dome” who has a chance of figuring out exactly what the alien-seeming dome is, it’s Rachelle Lefevre‘s Julia Shumway. The newspaper editor is inquisitive, to say the least, and she seems to be steadily digging her way through every plotline in the whole show — including eventually discovering the fate of her husband, which audiences have known since the show’s very first scene.

Season 3 of “Grimm” is currently filming, and it seems it’s action-packed enough to keep the cast exhausted all the time. Zap2it caught up with Bitsie Tulloch (Juliette Silverton), Reggie Lee (Sergeant Wu), Sasha Roiz (Captain Renard), and Claire Coffee (Adalind Schade) at San Diego Comic-Con last weekend, and the four actors were exhausted.

“Under The Dome,” the new CBS thriller based on a Stephen King novel in which a strange, invisible dome descends over a small town, had a strong presence at Comic-Con this past weekend. The stars and producers took the stage for the “Under The Dome” panel, where they screened an entire new episode, and they even sat down with Zap2it to chat about the show.

Dean Norris is having a good year. His arc as Hank Schrader on “Breaking Bad” about to take a turn for the climactic when the series comes back for its final eight episodes on Aug. 11. And “Under the Dome,”  the new show based on a Stephen King novel in which Norris plays the morally ambiguous James “Big Jim” Rennie, netted 20 million viewers for its premiere on CBS.

The final day of San Diego Comic-Con 2013 kicked off with demons and demon hunters as the “Supernatural” panel cast a spell over Hall H in the morning. Series stars Jared Padalecki (Sam Winchester), Jensen Ackles (Dean Winchester), Mark Sheppard (Crowley), and Misha Collins (Castiel) took the stage alongside Executive Producer and showrunner Jeremy Carver and Executive Producer Bob Singer. Felicia Day (Charlie Bradbury) made a delightful surprise appearance as well.

Over the previous four episodes the residents of Chester’s Mill have attempted to adjust to life under the dome, an enigmatic and nearly impermeable barrier that inexplicably descended over the town in the first episode. Those not caught up on “Under the Dome,” or who would rather watch the episode unfold on-screen, should avoid the following plot spoilers and skip down to the panel recap below.

Fans were eager to catch a glimpse of the final eight episodes, and they were not disappointed. AMC showed the opening scene of the first episode that will air when the show returns on August 11. In the clip, the White family house is abandoned, teenagers using the now empty pool as a skate park. Walt, outside the house looks older, with a full beard and head of hair. His clothes are filthy and his car appears broken down. In the trunk is an arsenal including an assault rifle and crowbar.

The “RoboCop” portion of Sony and Screen Gems’ San Diego Comic-Con panel kicked off with a video presentation featuring Samuel L. Jackson as Pat Novak.

“The Amazing Spider-Man 2” panel at San Diego Comic-Con began as enormous curtains in Hall H were pulled aside to reveal two additional screens from the earlier Sony and Screen Gems panels, creating one giant triple display for the ensuing footage.

The Sony and Screen Gems panel at San Diego Comic-Con moved from the lighthearted “Cloudy With A Chance of Meatballs 2” to some slightly more intense fare in “The Mortal Instruments: City of Bones.”

Each of Disney’s latest crop of computer-animated feature films, from “Bolt” to “Tangled” to “Wreck-it Ralph” and culminating in “Frozen,” has been better than the last. The upcoming “Big Hero 6” might be the best yet, and that’s no accident.

When the final episode of “Arrested Development” aired in 2006, Portia de Rossi and David Cross’s characters Linsday Bluth and Tobias Fünke had decided to stick out their marriage, for better or worse. But don’t tell that to de Rossi and Cross.

It’s been seven years since “Arrested Development’s” third season, and in the world inhabited by the Bluth family, just as much time will have passed when the series catches up with them in season 4. Michael Cera‘s George Michael and Alia Shawkat‘s Maeby Fünke are all grown up, and when IFC sat down with the actors behind the cousins-in-love during a recent press day with the cast, they said that their relationships with their family and with one another have changed in subtle ways.

“Arrested Development” is well known for its many recurring jokes, but few have stood the test of time as well as Michael Bluth’s continued disdain for his son’s girlfriend Ann. Though seven years have passed since “Arrested Development” went off the air, IFC learned firsthand that Jason Bateman can still deliver a “Her?” as well as ever. Watch the below video and see for yourself.